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21
1974
- Moderatoren im Fernsehen
- A contribution to a series examining the methods television presenters use to link from one item to the next and thus to prove the evidence of the previous item, the following item, all the items, themselves etc. A senior editor managed to prevent the discreditable appearance of one of his lovers, to be more precise, he didn't manage to keep him off the television, just out of this program. (Harun Farocki)
- director, scriptwriter, compiled by: Harun Farocki
- production: WDR, Köln length: 22 min. format:
- 2-inch- MAZ, col., 1:1,37 note: intended for broadcast the
- in series Telekritik - 12.11.1973 (West 3) but not shown
22
1974
- Über "Gelegenheitsarbeit einer Sklavin"
- Just a few excerpts from the film and a few words by me. It wasn't broadcast, as I avoided all meta-critcism ("Kluge describes concisely …" "the film however"). (Harun Farocki)
- director, scriptwriter: Harun Farocki narrator:
- Harun Farocki production: WDR, Köln length: 22 min.
- format: 16mm, b/w, 1:1,37 quotations from films:
- Gelegenheitsarbeit einer Sklavin (Alexander Kluge, BRD
- 1973/4) note: commissioned for the magazine
- program Kino 74 but not shown
23
1974
- Plakatmaler
- They gave me another chance; I filmed the people who paint cinema posters painting, and the results were meant to provide inserts for a magazine program entitled Kino 75. They didn't, but throughout the history of television, the fact that something wasn't broadcast has never meant that nothing was broadcast. (Harun Farocki)
- director, scriptwriter: Harun Farocki cinematographer:
- R.März sound: Manfred Stelzer editor: Harun Farocki
- production: WDR, Köln producer: Harun Fatocki
- length: 20 min. format: 16mm, col., 1:1,37 note:
- commissioned for the magazine program Kino 74,
- but not shown.
24
1974
- Die Arbeit mit Bildern
- Eine Telekritik von Harun Farocki
- What do the images in television information broadcasting, in feature programs and documentaries actually convey? Do they tell us anything important about their subjects? Do they make anything more obvious? Are they at all relevant to the topic? Or do they merely serve as background for the text. What does the outside of things have to say about unseen connections?Harun Farocki uses examples to demonstrate the lack of curiosity television often exhibits when using sounds and images, how little the viewer's curiosity is awakened as a result, and the extent to which television usage of camera and sound recording distances it from the real world. (Harun Farocki)
- director, scriptwriter: Harun Farocki editor: Marion Zausch
- graphic artist: Franziska Scherer production manager:
- Wolfgang Kreck production: WDR, Köln executive producer:
- Kurt Zeimert TV-producer: Angelika Wittllich length: 44 min., (25b/s)
- format: 16mm, col., 1:1,37 first broadcast: 8.11.1974, West 3
