Harun Farocki, Counter Point in: La ville qui fait signes, sous la direction d'Alain Guiheux, Lille 2004, p. 106-118

I too want to “remake” the city films, but with different images. Limited time and means themselves demand concentration on just a few, archetypal chapters. Fragments or preliminary studies. [...] Some will be shown in double projection using two synchronous tapes, allowing the different types of image to be compared. Most of the material will be recorded from computers and from the internet, from the hard drives of institutions, copies from surveillance cameras. (Harun Farocki)